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‘Saxon, Think not All Is Won’: Felicia Hemans and the Making of Britons

 
The Rise and Fall of the ‘Noble Savage’ in Ann of Swansea’s Welsh Fictions

 
The ‘Dying-Tale’ as Epistemic Strategy in Hemans’s Records of Woman

 
UnRomantic Authorship: The Minerva Press and the Lady’s Magazine, 1770–1820

 
Wordsworth’s ‘Library of Babel’: Bibliomania, the 1814 Excursion, and the 1815 Poems

 
Some Preliminary Remarks on the Production and Reception of Fiction Relating to Ireland, 1800–1829

 
Authors in an Industrial Economy: The Case of John Murray’s Travel Writers

 
High and Low: Some Remarks on the Reading Culture of the Late Eighteenth and Early Nineteenth Centuries

 
Making Space for Wollstonecraft: Mary Barker‘s A Welsh Story

 
Romantic Novels 1817 and 1818: Introduction

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Bibliography of British Travel Writing, 1780–1840: The European Tour, 1814–1818 (excluding Britain and Ireland)

 
‘The bounds of female reach’: Catherine Hutton’s Fiction and her Tours in Wales

 
Re-Visioning James Hogg: The Return of the Subject to Wordsworth’s ‘Extempore Effusion’

 
Transatlantic Terror: James Hammond’s Circulating Library and the Minerva Press Gothic Novel

 
'The Gothic Novel in Wales' Revisited: A Prelimary Survey of Wales-Related Romantic Fiction at Cardiff University

 
Anonymity and the Pressures of Publication in the Early Nineteenth Century

 
Radcliffe Incorporated: Ann Radcliffe, Mary Ann Radcliffe and the Minerva Author

 
Domesticating Antiquarianism and Developing an English National Tale: The Early Historical Romances of Anna Eliza Bray

 
George Crabbe: A Case Study

 
Four Nations Fiction by Women, 1789–1830: Introduction

 
The English Landscape and the Romantic-Era Novel: Changing Concepts of Space

 
Henry Reed and William Wordsworth: An Editor–Author Relationship and the Production of British Romantic Discourse

 
Sad Realities: The Romantic Tragedies of Charles Harpur

 
‘Start not, gentle reader!’: Re-reading Alicia LeFanu’s Helen Monteagle (1818)

 
The Perfect Match: Wordsworth’s ‘The Triad’ and Coleridge’s ‘Garden of Boccacio’ in Context

 
When King Arthur Met the Venus

 
Mrs Ross and Elizabeth B. Lester: New Attributions

 
Walter Scott and the 'Common' Novel

 
Producing Fiction in Britain, 1800–1829

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James Hogg’s Tales and Sketches and the Glasgow Number Trade

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Shadow and Substance: Restoring the Literary Output of Robert Pearse Gillies (1789–1858)

 
Reading Frankenstein in 1818: From Climate Change to Popular Sovereignty

 
'Shadows of Beauty, Shadows of Power': Heroism, Deformity, and Classical Allusion in Joshua Pickersgill’s The Three Brothers and Byron’s The Deformed Transformed

 
Walter Scott and James Skene: A Creative Friendship

 
Minerva at Aberdeen: A. K. Newman and Books in Boards

 
Scott, Hogg, and the Gift-Book Editors: Authorship in the Face of Industrial Production

 
Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt

 
Dead Funny: Eaton Stannard Barrett’s The Heroine as Comic Gothic

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Imitation, Intertextuality and the Minerva Press Novel

 
‘Satire is Bad Trade’: Dr John Wolcot and his Publishers and Printers in Eighteenth-Century England

 
The Protean Poet: Byron’s Don Juan in the Visual Arts

 
Gothic Bluebooks in the Princely Library of Corvey and Beyond

 
‘Assailing the Thing’: Politics of Space in William Cobbett’s Rural Rides

 
The Novel as Political Marker: Women Writers and their Female Audiences in the Hookham and Carpenter Archives, 1791–1798

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Florence and the Machine: Female Authorship, Popular Culture and Technological Modernity in Sydney Owenson, Lady Morgan’s Florence Macarthy (1818)

 
William Lane, the Ramble Novel and the Genres of Romantic Irish Fiction

 
Canals, Commerce and the Construction of Nation in Sydney Owenson’s O’Donnel

 
The Publication of Irish Novels and Novelettes, 1750–1829: A Footnote on Irish Gothic Fiction

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Revising the Radcliffean Model: Jane Austen’s Northanger Abbey and Regina Maria Roche’s Clermont

 
Hemans and the Gift-Book Aesthetic

 
The Poetical Works of Geoffrey Chaucer in the Nineteenth Century: Social Influences on Editorial Practices

 
Reverse Pygmalionism: Art and Samuel Rogers’s Italy

 
‘English verdure, English culture, English comfort’: Ireland and the Gothic Elsewhere in Jane Austen’s Emma

 
The ‘Disposition to Combine’: Thomas Campbell’s The Pleasures of Hope, Edmund Burke, and the Power of the Poetic Imagination to Reconcile and Reform

 
‘The first impression, you, yourself, will buy’: The Gunninghiad, Virginius and Virginia and the Art of Scandal at the Minerva Press

 
Political Animals: Dogs and the Discourse of Rights in Late Eighteenth-Century Print Culture

 
‘We’ll Wear Out Great Ones’: Maria Pickersgill, Letitia Landon, and the Power of the ‘Improvisatrice’

 
Thomas Moore, Anacreon and the Romantic Tradition

 
Re-evaluating the Minerva Press: Introduction

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Mary Meeke’s Something Strange: The Development of the Novel and the Possibilities of the Imagination

 
William Lane and the Minerva Press in the Review Periodical, 1790–1820

 
Planting Seeds of Virtue: Sentimental Fiction and the Moral Education of Women

 
From Eco-Politics to Apocalypse: The Contentious Rhetoric of Eighteenth-Century Landscape Gardening

 
Writing for the Spectre of Poverty: Exhuming Sarah Wilkinson’s Bluebooks and Novels

 
Collecting the National Drama in Revolutionary England

 
Writing to Sir Walter: The Letters of Mary Bryan Bedingfield

 
Historical Gothic and the Minerva Press: The ‘Historical Gothic’ and the Minerva Press, 1790–99

 
Copyright, Authorship, and the Professional Writer: The Case of William Wordsworth

 
Fugitive Print: Robert Southey and S. T. Coleridge’s Devil-Ballad

 
Isabella Kelly and the Minerva Gothic Challenge

 
The Romance of Commerce: Rob Roy, 1817–1818

 
‘Would that Its Tone Could Reach the Rich!’: Thomas Hood’s Periodical Poetry bridging Romantic and Victorian

 
Hazlitt’s Prizefight Revisited: Pierce Egan and Jon Bee’s Boxiana-Style Perspective

 
Archaisms in 'The Rime of the Ancient Mariner'

 
Tales of Other Times: A Survey of British Historical Fiction, 1770–1812

 
T. G. Wainewright’s Art Criticism and Metropolitan Magazine Style

 
Mandeville, Mourning and National Myths: William Godwin's Civil War Novel and the Use of History

 
Remediating Byron: Textual Information Overload during Byron’s 1816 Travels

 
‘The Approbation of my Own Heart’: Virtue and Duty in Harriet Ventum’s Selina and Justina

 
Nostalgia for Home or Homelands: Romantic Nationalism and the Indeterminate Narrative in Frances Burney’s The Wanderer

 
'The Common Gifts of Heaven': Animal Rights and Moral Education in Anna Letitia Barbauld's 'The Mouse’s Petition' and 'The Caterpillar'

 
‘She had recourse to her pen’: Radical Voices in Elizabeth Hamilton’s Memoirs of Modern Philosophers

 
British Women Writing Satirical Works in the Romantic Period Gendering Authorship and Narrative Voice

Tweets by Romantic Textualities

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