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Peter Garside

Peter Garside taught English Literature for more than thirty years at Cardiff University, where he became Director of the Centre for Editorial and Intertextual Research. Subsequently, he was appointed Professor of Bibliography and Textual Studies at the University of Edinburgh. He served on the Boards of the Edinburgh Edition of the Waverley Novels and the Stirling / South Carolina Collected Edition of the Works of James Hogg, and has produced three volumes apiece for each of these scholarly editions. He was one of the general editors of the bibliographical survey The English Novel 1770–1829, 2 vols (Oxford University Press, 2000), and directed the AHRB-funded online database British Fiction 1800–1829 (2004). More recently, he has co-edited English and British Fiction 1750–1820 (2015), as volume 2 of the Oxford History of the Novel in English; as well as an edition of Scott’s Shorter Poems (2020), along with Gillian Hughes, for the Edinburgh Edition of Walter Scott’s Poetry.


Report: The English Novel, 1800–1829 & 1830–1836: Update 8 (April 2000–June 2023)

This report, like its predecessors, relates primarily to the 2nd vol. of The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction published in the British Isles (2000) and the online The English Novel 1830–1836. The procedure followed derives generally from the activities of the research team who helped produce British Fiction, 1800–1829: A Database of Production, Circulation, and Reception, first made publicly available in 2004, though only materials found in Updates 1–4 are incorporated in that database. The present report comes twenty-three years since the release in March 2000 of the printed Bibliography, and some nineteen years after the original launch of British Fiction 1800–1829 database. Its primary aim is to consolidate all the preceding seven Updates into one final composite statement, while at the same time, in assembling these materials, reference has been made to a number of additional sources, incorporating further new information. Continue reading

Article: Shadow and Substance

Late in life in in his Memoirs of a Literary Veteran (1851) R. P. Gillies reflected on a career fraught with difficulties owing to debt and other obstacles, though in it earlier stages it might be said to have paralleled in some respects the path of Walter Scott, while reaching a highpoint in the 1820s through Gillies’s significant input as a Germanist into Blackwood’s Edinburgh Magazine. One deep regret as expressed in the Memoirs was his eventual incapacity to piece together his own literary record owing to the loss of materials at significant points in his life. The present article attempts to ameliorate this situation by providing a fuller record than was then available to Gillies himself, through means such as the recovery of rare editions, identification of periodical contributions, and information provided by the archives of the Royal Literary Fund. More particularly it offers an improved account of Gillies’s output as a novelist and translator of fiction, with some newly identified titles being added to the list, while others are removed. Continue reading

Report: The English Novel, 1800–1829 & 1830–1836: Update 7 (August 2009–July 2020)

This report, like its predecessors, relates primarily to the second volume of The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction Published in the British Isles (Oxford: OUP, 2000) [EN2], co-edited by Peter Garside and Rainer Schöwerling, with the assistance of Christopher Skelton-Foord and Karin Wünsche. It also refers to the online The English Novel, 1830–36: A Bibliographical Survey of Fiction Published in the British Isles [EN3], which effectively serves as a continuation of the printed Bibliography. Continue reading

Resource: The English Novel, 1830–1836

Acknowledgements The Anglo–German co-operation underlying this project has greatly benefited from generous support given to the two main research centres at Cardiff University and the Universität-Gesamthochschule Paderborn. The Cardiff team, based in the Centre for … Continue reading

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Report: Circulating-Library Catalogues, 1800–1829: Checklist

Circulating-Library Catalogues, 1800–1829: Checklist Entries employ the following conventions. Entries are grouped by year, and then by a reference number which corresponds to that given in The English Novel, 1770-1829: A Bibliographical Survey of Prose … Continue reading

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Article: Mrs Ross and Elizabeth B. Lester

The fiction of the early nineteenth century is well known as a minefield for author attribution. According to data compiled for a new Bibliographical Survey of Prose Fiction Published in the British Isles, in two … Continue reading

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Article: Walter Scott and the ‘Common’ Novel

Scott’s strategy from the commencement of the Waverley Novels, it might be argued, was to create a ‘superior’ kind of fiction, pitched in such a way as to draw back a male book-buying audience as … Continue reading

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Report: British Fiction, 1800–1829: A Database of Production and Reception, Phase II Report (Feb–Nov 2000) and Circulating Library Checklist

The second stage of our Database of Fiction 1800-29 project is focused towards the acquisition of contemporary materials which will provide a more comprehensive context for the primary bibliographical data already available. Since her appointment … Continue reading

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Report: The English Novel, 1800–1829: Update 1 (April 2000–May 2001)

This project report relates to The English Novel, 1770-1829: A Bibliographical Survey Published in the British Isles, edd. Peter Garside, James Raven, and Rainer Schöwerling, 2 vols. (Oxford: OUP, 2000). In particular, it offers fresh … Continue reading

Report: British Fiction, 1800–1829: A Database of Production and Reception, Phase II Report: Anecdotal Comments

This project report is a summary of data collected from various anecdotal sources for inclusion in our Database of British Fiction, 1800-29. The material provided below was gathered between February 2000 and May 2001, from … Continue reading

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Report: British Fiction, 1800–1829: A Database of Production and Reception, Phase II Report: The Flowers of Literature

Published annually to cover the years 1801–09, The Flowers of Literature consisted primarily of extracts from what were perceived to be the year’s most popular publications. The extracts were drawn from a range of genres, … Continue reading

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Report: The English Novel, 1800–1829: Update 2 (June 2001–May 2002)

This project report relates to The English Novel, 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles, general editors Peter Garside, James Raven, and Rainer Schöwerling, 2 vols (Oxford: OUP, 2000). In … Continue reading

Report: British Fiction, 1800–1829: A Database of Production and Reception, Phase II Report: Advertisements for Novels in The Star, 1815–1824

The records presented here comprise a listing of novels that were advertised in The Star, a London evening daily newspaper, during 1815 through 1824. These records represent only a relatively short and edited section of … Continue reading

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Report: British Fiction, 1800–1829: A Database of Production and Reception, Phase II Report: Walter Scott, Tales of my Landlord (1816): A Publishing Record

The Publishing Context ‘I have thus my dear friend brought to bear what I conceive is a very important business for both of us. If these people had sooner seen their true interest we should … Continue reading

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Report: The English Novel, 1800–1829: Update 3 (June 2002–May 2003)

This project report relates to The English Novel, 1770-1829: A Bibliographical Survey of Prose Fiction published in the British Isles, general editors Peter Garside, James Raven, and Rainer Schöwerling, 2 vols (Oxford: OUP, 2000). In … Continue reading

Report: The English Novel, 1800–1829: Update 4 (June 2003–August 2004)

This project report relates to The English Novel, 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles, general editors Peter Garside, James Raven, and Rainer Schöwerling, 2 vols. (Oxford: OUP, 2000). In … Continue reading

Report: The English Novel, 1800–1829: Update 5 (August 2004–August 2005)

This project report relates to The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction published in the British Isles, general editors Peter Garside, James Raven, and Rainer Schöwerling, 2 vols. (Oxford: OUP, 2000). In … Continue reading

Article: James Hogg’s Tales and Sketches and the Glasgow Number Trade

In the years immediately following Hogg’s death late in 1835, the Glasgow firm of Blackie & Son brought out two collected sets of his writing, Tales and Sketches by the Ettrick Shepherd, in six volumes, … Continue reading

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Article: Producing Fiction in Britain, 1800–1829

According to Lee Erickson, in a recent essay, Walter Scott’s refusal of the poet laureateship in 1813 and the publication of his first novel, Waverley, a year later were sure signs of ‘a coming shift … Continue reading

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Report: Subscribing Fiction in Britain, 1780–1829

I In a letter to the poetess Anna Seward on 30 November 1802, Walter Scott surveyed the various methods of publication open to a budding author, including one that was definitely not suited to himself: … Continue reading

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Review: Franz Potter, The History of Gothic Publishing, 1800–1835 (rev.)

This wide-sweeping study succeeds in broadening our perception of the Gothic as a literary movement in the early nineteenth century, even at a time when it might seem that claims for the mode’s predominance have … Continue reading

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Review: Gavin Edwards, Narrative Order, 1789–1819 (rev.)

This informative and often densely argued work brings together three main components in exploring a range of texts spanning Samuel Johnson’s Life of Savage (1744) to Walter Scott’s The Bride of Lammermoor (1819), with a … Continue reading

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Report: The English Novel, 1800–1829 &1830–1836: Update 6 (August 2005–August 2009)

This report, like its predecessors, relates primarily to the second volume of The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction published in the British Isles (Oxford: OUP, 2000), co-edited by Peter Garside and … Continue reading

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Report: British Fiction, 1800–1829: A Database of Production and Reception: Phase I Report

I. Aims The early decades of the nineteenth century represent a period of unparalleled development in the novel. While many of the ideological battles surrounding fiction had been fought in the charged atmosphere of the … Continue reading

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Tweets by Romantic Textualities

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