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Women’s Literary Networks and Romanticism: ‘A Tribe of Authoresses’ is the first book to appear in a new series, ‘Romantic Reconfigurations: Studies in Literature and Culture 1780–1850’, edited by Tim Fulford and Alan Vardy. This … Continue reading
The domestic is fundamental to any analysis of Bray’s work, as by domesticating public history and antiquarianism she was able to negotiate a path between maintaining her position as a proper lady and asserting her credentials as a published author/ historian. Historically, Bray’s writing career began at a time when there had been a shift in the basic epistemological structures of history from state politics to social and affective life, family matters. Moreover, Bray’s own family, father, brother and both her husbands were antiquarians, thus her research was presented as an extension of theirs. Finally, in 1822, Bray relocated from London to Devon, a geographical space on the margins of England, and one rich in history, legend and the traditions of ‘Old England’. Yet for Bray, home was a conflicted term representing both family home and homeland, England, which she saw as under threat of losing its identity to the newly created nation of Great Britain and Ireland. In this paper I examine how, through the microcosm of family and region, Bray set about producing an antiquarian record of the English landscape, customs and traditions: an English National Tale. Continue reading
