Papers will be published in a special issue of Romantic Textualities: Literature and Print Culture, 1780–1840 (Spring 2019), guest edited by Elizabeth Neiman and Tina Morin. This special issue of Romantic Textualities focuses on a … Continue reading
Home » Items tagged with 'gender'
Items tagged with 'gender'
This collection of articles, which results from the ‘Four Nations Fiction’ conference that took place in 2013, is structured around the intersection of place with gender in terms of two vibrant research fields: the archipelagic or four nations turn within literary studies and the still-expanding map of Romantic-period women’s writing. Continue reading
Article: ‘She had recourse to her pen’
This article explores Elizabeth Hamilton’s response to the abuse of Jacobin radicalism in early nineteenth-century Britain. It situates Hamilton’s fictional representations of revolutionary principles and her outspoken caricatures of contemporary radicals in her three-volume Memoirs of Modern Philosophers (1800) within the trajectory of the gradual decline of radical voices from the mid-1790s onwards. This article demonstrates how new philosophical principles are presented in the novel as impractical and subversive in nature, as a way for Hamilton to show readers that these principles are dangerous and likely to be falsely adopted to destroy all fair domestic and public values. Ultimately, it argues for the discursive space Hamilton created to challenge and destabilise Jacobin radicalism, and also aims to shed light on the gendered conventions of public participation in the period. Continue reading
Review: Melanie Bigold, Women of Letters, Manuscript Circulation, and Print Afterlives in the Eighteenth Century (rev.)
Despite the widespread espousal of print culture during the eighteenth century, manuscript circulation continued to be embraced by many writers as a viable and indeed attractive option. Several participants in literary salons across Britain and … Continue reading
Article: When King Arthur Met the Venus
The first edition of Bannerman’s Tales of Superstition and Chivalry (1802) contained an erotic engraving of a naked Venus figure, which was declared ‘offensive to decency’ by Scottish audiences in the poet’s native Edinburgh. Garner’s account investigates the controversy surrounding the engraving and the puzzling disparity between it and the ballad it illustrated: the Arthurian-themed ‘Prophecy of Merlin’. Using evidence from Bannerman’s correspondence with noted Scottish male publishers and antiquarians, this essay argues that decision to include the dangerous engraving was symptomatic of current anxieties surrounding a female-authored text which threatened to encroach on antiquarian and Arthurian enquiry. Continue reading
It’s not often that you get the chance to go to a conference which will involve a trip to the pier, a day spent at one of Wales’ national treasures, and introductions to several undeservedly-forgotten … Continue reading
Report: Merely an Imitator?
In this report, I want to float what I consider to be a distinct possibility: that Ann Radcliffe did not cease publication after The Italian (1797), but published two anonymous novels for the circulating library … Continue reading
Article: ‘We’ll Wear Out Great Ones’
If Romantic women poets, as Paula Feldman says, have ‘appeared in literary history at best as footnotes’, Maria Pickersgill has been a footnote to a footnote, and undeservedly so.  Her husband, Henry William Pickersgill, … Continue reading
Didactic writing seldom sets the modern pulse racing, and it is a brave critic who sets out to concentrate on literature which explicitly aims to improve the morals of its readers. From a historical distance, … Continue reading