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Post: CFP–Romantic Boundaries (Special Issue of Romantic Textualities)

Venice - The Dogana and San Giorgio Maggiore by Joseph Mallord William Turner, 1834, oil on canvas, view 2 - National Gallery of Art, Washington

This June, the BARS Early Career and Postgraduate Conference gathered researchers from around the globe to celebrate and to appreciate Romanticism and its legacies at the University of Edinburgh by exploring the theme of ‘boundaries’ … Continue reading

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