In this two-part post, Stephen Basdeo analyses the evolving Romantic and Victorian legacy of the most famous heroic outlaw found in English folklore, Robin Hood.Robin Hood: A Romantic Hero The Legacy of Ivanhoe (1820) In a previous … Continue reading
Home » Items tagged with 'Walter Scott'
Items tagged with 'Walter Scott'
In this two-part post, Stephen Basdeo analyses the evolving Romantic and Victorian legacy of the most famous heroic outlaw found in English folklore, Robin Hood. In 1795 Joseph Ritson (1752-1803) published Robin Hood: A Collection … Continue reading
Article: Walter Scott and James Skene
This essay contends that Skene, Scott’s amateur-artist friend, was often used as a visual research assistant for many scenes contained within the Waverley novels. Skene became an advisor to some of the earliest illustrations of Scott’s novels that were produced beyond Scotland. In the introduction to the fourth canto of Marmion, dedicated to Skene, Scott writes: ‘The shepherd, who in summer sun, | Had something of our envy won, | As thou with pencil, I with pen, | The features traced of hill and glen’. This glimpse of Skene sketching next to Scott reveals a significant aspect to their friendship: Skene’s sketches were used as aides-memoire, visual references or even inspirations to Scott’s literary imagination for many descriptive topographical or architectural passages within his novels. Through close readings of the novels, Scott’s correspondence and Skene’s own memoir, Hill establishes that Skene contributed signgiicant visual stimuli for a number of Scott’s works. Continue reading
by Daniel Cook This semester I’m convening a new upper-level undergraduate module: Scottish Literature before 1900. A couple of years ago our resident Scottish literature expert, a highly affable and active George MacDonald scholar, David … Continue reading
Richard Hill looks into the gift-books and annual culture of the 1820s and ’30s, noting a ‘power-struggle in the publishing arena’ that emerged as a result of ‘production practices and technological developments that challenged traditional modes of book production’. By focusing on the interactions between two major Edinburgh authors, James Hogg and Walter Scott, Hill argues that in the late 1820s a fundamental shift was precipitated in the role of the author in the production of popular literature. Continue reading
Peveril of the Peak has never been regarded as one of Walter Scott’s greatest novels and its relative failure to achieve critical success is often attributed to the ‘over-production and money-spinning’ that many see as characteristic … Continue reading