by Emma Butcher The blow is struck—the lyre is shattered–the music is hushed at length. The greatest—the most various–the most commanding genius of modern times has left us to seek for that successor to his … Continue reading →
by Sarah Sharp Many British readers will perhaps first encounter the concept of the Gothic, not through a Gothic novel, but through Northanger Abbey’s playful engagement with the genre’s key tropes. They will have perhaps, … Continue reading →