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Category archive: 'Editorial'

Review: Claire Lamont and Michael Rossington (eds), Romanticism’s Debatable Lands (rev.)

Romanticism’s Debatable Lands is a collection of essays that originated in papers delivered at the British Association of Romanticism Studies’s 2005 conference on the same theme. In its introduction, the book’s editors (also the conference’s … Continue reading

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Review: Gillian Hughes, James Hogg: A Life (rev.)

Gillian Hughes is a General Editor of EUP’s Stirling/South Carolina Research Edition of the Collected Works of James Hogg. Among other works by Hogg, she has edited Altrive Tales (2003) and the three-volume Collected Letters … Continue reading

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Review: Gavin Hopps and Jane Stabler (eds), Romanticism and Religion from Cowper to Stevens (rev.)

This book is an important addition to Ashgate’s Nineteenth Century series, containing critical and theoretical discussion of Romanticism and its relationship with Religion. The editors, Gavin Hopps and Jane Stabler, state at the outset their … Continue reading

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Review: James Hogg, A Queer Book, ed. by P. D. Garside (rev.)

The long-awaited EUP paperback reprint of James Hogg’s A Queer Book has finally arrived after its 1995 debut, as part of the larger StirlingSouth Carolina Research Edition of the Collected Works of James Hogg . … Continue reading

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Review: Franz Potter, The History of Gothic Publishing, 1800–1835 (rev.)

This wide-sweeping study succeeds in broadening our perception of the Gothic as a literary movement in the early nineteenth century, even at a time when it might seem that claims for the mode’s predominance have … Continue reading

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Review: Dino Francis Felluga, The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of Genius (rev.)

Dino Francis Felluga’s well argued and thoroughly researched study explores the reception history of Lord Byron and Sir Walter Scott, and connects their popular critical reception in the nineteenth century to the ultimate dismissal of … Continue reading

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Review: David Higgins, Romantic Genius and the Literary Magazine: Biography, Celebrity, Politics (rev.)

David Higgins’s readable and well-researched study contributes to the project of resituating key concepts of Romantic poetics within the print culture of the period. He brings together the period’s unprecedented interest in ‘genius’, which has … Continue reading

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Review: Gavin Edwards, Narrative Order, 1789–1819 (rev.)

This informative and often densely argued work brings together three main components in exploring a range of texts spanning Samuel Johnson’s Life of Savage (1744) to Walter Scott’s The Bride of Lammermoor (1819), with a … Continue reading

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Review: Eberle-Sinatra, Leigh Hunt and the London Literary Scene (rev.)

Michael Eberle-Sinatra’s highly accessible study is a worthy contribution to the recent rise of interest in the work of Leigh Hunt. Focusing on 1805–1828, the study aims to regain a sense of Hunt as a … Continue reading

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Review: Comitini, Vocational Philanthropy and British Women’s Writing (rev.)

Didactic writing seldom sets the modern pulse racing, and it is a brave critic who sets out to concentrate on literature which explicitly aims to improve the morals of its readers. From a historical distance, … Continue reading

Review: de Almeida and Gilpin, Indian Renaissance (rev.)

This fascinating exploration by Hermione de Almeida and George H. Gilpin continues a strong series of studies, ‘British Art and Visual Culture since 1750: New Readings’, which attempts to unpack the social history, consumption, and … Continue reading

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Review: Walter Scott, The Siege of Malta and Bizarro, ed. by J. H. Alexander et al. (rev.)

Visiting Sir Walter Scott at J. G. Lockhart’s house in London just before Scott’sfinal voyage to Malta and Italy in 1831, the Irish poet Thomas Moore reflected sadly in his journal on Scott’s series of … Continue reading

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Article: Scott, Hogg, and the Gift-Book Editors

Richard Hill looks into the gift-books and annual culture of the 1820s and ’30s, noting a ‘power-struggle in the publishing arena’ that emerged as a result of ‘production practices and technological developments that challenged traditional modes of book production’. By focusing on the interactions between two major Edinburgh authors, James Hogg and Walter Scott, Hill argues that in the late 1820s a fundamental shift was precipitated in the role of the author in the production of popular literature. Continue reading

Review: Walter Scott, Peveril of the Peak, ed. by Alison Lumsden

Peveril of the Peak has never been regarded as one of Walter Scott’s greatest novels and its relative failure to achieve critical success is often attributed to the ‘over-production and money-spinning’ that many see as characteristic … Continue reading

Article: Collecting the National Drama in Revolutionary England

Let’s begin with an irritated Elizabeth Inchbald. At the bidding of prolific and insistent publisher Thomas Norton Longman, she undertook the task of collecting and critiquing a series of plays spanning the two centuries between … Continue reading

Article: From Eco-Politics to Apocalypse

The final chapter of Humphrey Repton’s collected works on landscape gardening and architecture, published after his death in 1840, concludes with an encomium to Repton’s work from an unnamed source. ‘[What can bestow pure tranquillity?] … Continue reading

Report: The English Novel, 1800–1829 &1830–1836: Update 6 (August 2005–August 2009)

This report, like its predecessors, relates primarily to the second volume of The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction published in the British Isles (Oxford: OUP, 2000), co-edited by Peter Garside and … Continue reading

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Report: Sir Anthony Carlisle and Mrs Carver

Authors

Sir Anthony Carlisle FRS, FRCS (1768–1840), a nineteenth-century surgeon, is an unlikely person to emerge in a discussion on English Literature, but recent research for a proposed biography has produced evidence for Carlisle as the … Continue reading

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Page: Editorial

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Issue: Issue 19 (Winter 2009)

Following a slight delay, the current issue of Romantic Textualities continues to expand its remit by providing a wide range of materials, which engages with various intertextual and print-cultural aspects of the Romantic period. The … Continue reading

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Issue: Issue 18 (Summer 2008)

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Issue: Issue 17 (Summer 2007)

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Issue: Issue 16 (Summer 2006)

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Issue: Issue 15 (Winter 2005)

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Issue: Issue 14 (Summer 2005)

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Issue: Issue 13 (Winter 2004)

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Issue: Issue 12 (Summer 2004)

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Issue: Issue 11 (December 2003)

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Issue: Issue 10 (June 2003)

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Issue: Issue 9 (December 2002)

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Issue: Issue 8 (June 2002)

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Issue: Issue 7 (December 2001)

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Issue: Issue 6 (June 2001)

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Issue: Issue 5 (November 2000)

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Issue: Issue 4 (May 2000)

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Report: British Fiction, 1800–1829: A Database of Production and Reception: Phase I Report

I. Aims The early decades of the nineteenth century represent a period of unparalleled development in the novel. While many of the ideological battles surrounding fiction had been fought in the charged atmosphere of the … Continue reading

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Issue: Issue 3 (September 1999)

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