Home » Items tagged with 'literary canon'

Items tagged with 'literary canon'

Post: CFP—In Other Wor(l)ds: Romanticism at the Crossroads (Special issue of Romantic Textualities)

The first manned hot-air balloon, designed by the Montgolfier brothers, takes tethered off at the garden of the Reveillon workshop, Paris, on 19 October 1783.

Jhumpa Lahiri’s In Altre Parole / In Other Words (2015) describes switching from one language to another as crossing from one side of a body of water to its opposite shore. Inspired by this metaphor, … Continue reading

Article: Re-evaluating the Minerva Press

This collection of nine essays, several by well-seasoned scholars of Minerva or its novels, exemplifies how crucial collaboration is and will be for continued understanding of the popular novel in the Romantic literary marketplace. The essays in ‘The Minerva Press and the Literary Marketplace’ converse with each other in multiple and overlapping ways, and have been divided into three sections that illuminate exciting new inroads to scholarship on the Minerva Press. ‘Minerva Genres’ illustrates the generic diversity of Lane’s publications; this is followed by ‘Minerva Readers and Writers’, which nuances the customary profiling of Lane’s authors and his target audience; while ‘Reading Minerva with New Methods’ reassesses Minerva’s reading communities, both contemporary and more modern-day. Continue reading

Post: ‘Your sincere admirer’: the Shelleys’ letters as indicators of collaboration in 1821.

Anna has studied at the University of Liverpool (BA) and the University of Cambridge (MPhil). She is now a second year doctoral candidate in English Literature at the Centre for Eighteenth Century Studies, University of York. Anna’s … Continue reading

Post: Global Romanticism VI: Legitimacy and Legislation

I have spent the ten months between my last post and this one developing my research on Egbert Martin, about whom I’ve written in the last couple of posts. As I’ve continued to fill in … Continue reading

Post: Victorian Legacies: Sir Walter Scott in Context

by Emma Butcher The blow is struck—the lyre is shattered–the music is hushed at length. The greatest—the most various–the most commanding genius of modern times has left us to seek for that successor to his … Continue reading

Post: Global Romanticism V: Scriptology

by Manu Samriti Chander I began to discuss in my last post the Guyanese author Egbert Martin, specifically describing him as a Shelleyan, unacknowledged legislator. Though we know little about Martin’s life, it is believed … Continue reading

Post: Global Romanticism IV: Acknowledging Unacknowledged Legislators

by Manu Samriti Chander Last time I brought up Shelley’s famous line at the end of the Defence of Poetry, suggesting that Derozio, like other brown Romantics, conceived of his position as a poet as … Continue reading

Post: Global Romanticism III: Legislating Brownness

by Manu Samriti Chander I’ve mentioned my current book project, Brown Romantics, and I thought I’d take this opportunity to discuss one of the central issues that has come up as I’ve been researching and … Continue reading

Post: Global Romanticism II: Imitation, Innovation, and Interlocution in Nineteenth-Century India

by Manu Samriti Chander I mentioned in my last post the Calcutta-born poet Henry Derozio (1809-1831), or “Indian Keats” as he has sometimes been called. I first discovered Derozio’s work in graduate school and planned … Continue reading

Post: Global Romanticism: Thoughts on the “Field”

by Manu Samriti Chander When I started graduate school in the early 2000s, I planned to focus on postcolonial literatures, especially poetry, which at the time was relatively under-examined. Part of the reason for this … Continue reading

Post: Teaching Romanticism I: A Beginner’s Guide

by Daniel Cook When I moved to Scotland last year to take up a permanent post as a Lecturer in English at the University of Dundee I inherited a popular module entitled Romantic and Gothic … Continue reading

Post: Conference report for Four Nations Fiction: Women and the Novel, 1780-1830

It’s not often that you get the chance to go to a conference which will involve a trip to the pier, a day spent at one of Wales’ national treasures, and introductions to several undeservedly-forgotten … Continue reading

Report: Merely an Imitator?

In this report, I want to float what I consider to be a distinct possibility: that Ann Radcliffe did not cease publication after The Italian (1797), but published two anonymous novels for the circulating library … Continue reading

Article: Collecting the National Drama in Revolutionary England

Let’s begin with an irritated Elizabeth Inchbald. At the bidding of prolific and insistent publisher Thomas Norton Longman, she undertook the task of collecting and critiquing a series of plays spanning the two centuries between … Continue reading

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