Humanities scholars who are persistently reminded about the necessity of making their research interdisciplinary should definitely turn to Maureen McCue’s British Romanticism and the Reception of Italian Old Master Art, 1793–1840 for an object lesson … Continue reading →
As noted in my previous blogs on Frankenstein and Fantasmagoriana, the first story read by the Byron-Shelley circle on that stormy night in June 1816, ‘L’Amour muet’, was not as influential and well-known as the … Continue reading →
by Maximiliaan van Woudenberg Happy New Year Everyone! My introductory blog ‘last year’ – actually only a few weeks ago – provided a brief overview of Fantasmagoriana (1812) the text that inspired the famous ghost-storytelling contest at … Continue reading →
I In 1826, Mary Shelley recalled the Summer of 1814 as ‘incarnate romance’, when ‘a new generation’ of youthful travellers with ‘time and money at command’, yet heedless of ‘dirty packets and wretched inns’, ‘poured, … Continue reading →
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