I have spent the ten months between my last post and this one developing my research on Egbert Martin, about whom I’ve written in the last couple of posts. As I’ve continued to fill in … Continue reading →
‘British Romanticism’, writes Paul Youngquist in Race, Romanticism, and the Atlantic, ‘is white’ (p. 91). Youngquist’s volume interrogates this ideology of whiteness, critiquing its systematic erasure of the violence in and across the Black Atlantic … Continue reading →
How might it be possible, ask Evan Gottlieb and Juliet Shields in the introduction to Representing Place in British Literature and Culture, to ‘tell the whole story’ of the intersections of local, regional, national and … Continue reading →
The theoretical rationale for the emergence of transatlantic literary studies has been the recognition of important missed connections under prior modes of critical study and the rectifying power of observing multiple global parties in conversation … Continue reading →
by Manu Samriti Chander I began to discuss in my last post the Guyanese author Egbert Martin, specifically describing him as a Shelleyan, unacknowledged legislator. Though we know little about Martin’s life, it is believed … Continue reading →
by Manu Samriti Chander Last time I brought up Shelley’s famous line at the end of the Defence of Poetry, suggesting that Derozio, like other brown Romantics, conceived of his position as a poet as … Continue reading →
by Manu Samriti Chander I’ve mentioned my current book project, Brown Romantics, and I thought I’d take this opportunity to discuss one of the central issues that has come up as I’ve been researching and … Continue reading →
by Manu Samriti Chander I mentioned in my last post the Calcutta-born poet Henry Derozio (1809-1831), or “Indian Keats” as he has sometimes been called. I first discovered Derozio’s work in graduate school and planned … Continue reading →
by Brian Wall Thanks to Anthony and the rest of the Romantic Textualities team for letting me chime in here. I’m planning on being a semi-regular contributor to the site whilst I dodge inquiries from … Continue reading →
by Manu Samriti Chander When I started graduate school in the early 2000s, I planned to focus on postcolonial literatures, especially poetry, which at the time was relatively under-examined. Part of the reason for this … Continue reading →
The theme for the 13th BARS international conference was specifically chosen to draw on Southampton’s long history as a port city which has witnessed the launch of Henry V’s invasion fleet, the Mayflower and the … Continue reading →
In July, I travelled to Sydney to take part in the second biannual conference of the Romantic Studies Association of Australasia. Founded in 2010, the RSAA aims ‘to promote the study of the literary, artistic, … Continue reading →