The domestic is fundamental to any analysis of Bray’s work, as by domesticating public history and antiquarianism she was able to negotiate a path between maintaining her position as a proper lady and asserting her credentials as a published author/ historian. Historically, Bray’s writing career began at a time when there had been a shift in the basic epistemological structures of history from state politics to social and affective life, family matters. Moreover, Bray’s own family, father, brother and both her husbands were antiquarians, thus her research was presented as an extension of theirs. Finally, in 1822, Bray relocated from London to Devon, a geographical space on the margins of England, and one rich in history, legend and the traditions of ‘Old England’. Yet for Bray, home was a conflicted term representing both family home and homeland, England, which she saw as under threat of losing its identity to the newly created nation of Great Britain and Ireland. In this paper I examine how, through the microcosm of family and region, Bray set about producing an antiquarian record of the English landscape, customs and traditions: an English National Tale. Continue reading →
The first edition of Bannerman’s Tales of Superstition and Chivalry (1802) contained an erotic engraving of a naked Venus figure, which was declared ‘offensive to decency’ by Scottish audiences in the poet’s native Edinburgh. Garner’s account investigates the controversy surrounding the engraving and the puzzling disparity between it and the ballad it illustrated: the Arthurian-themed ‘Prophecy of Merlin’. Using evidence from Bannerman’s correspondence with noted Scottish male publishers and antiquarians, this essay argues that decision to include the dangerous engraving was symptomatic of current anxieties surrounding a female-authored text which threatened to encroach on antiquarian and Arthurian enquiry. Continue reading →
Did Ireland experience Romanticism? Certainly not in the uncomplicated way that scholarship assumes England, Germany and other countries did. In Romanticism in National Context (1988), Tom Dunne’s contribution eschews the standard chapter title form—‘Romanticism in … Continue reading →
In ‘Bibliomania: Book Collecting, Cultural Politics, and the Rise of Literary Heritage in Romantic Britain’,  Philip Connell argues that the decade of the 1810s saw the rise of diverse strains of bibliomania involving the … Continue reading →
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