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Anjeli Chapman Wolf »

Anjeli Chapman Wolf studied Punch Magazine around the fin de siècle through a postcolonial lens at Lucy Cavendish College, University of Cambridge. Her undergraduate degree is from Vanderbilt University, where she completed an Honours Dissertation on postpartum depression in women of colour. Her invited talks include Cambridge’s History of Memory & Emotion and Modern British History workshops as well as the 2023 Winter School in Saas-Fee, jointly run by Cambridge and the Adolphe Merkle Institute. Her postcolonial play Siege, which illustrates the horror of British imperial rule in twentieth-century India, was chosen to be workshopped with the Royal Court. Her anthology of short fiction, Spite, was published in 2024 by Wrong Publishing.

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This article is © 2025–26 The Author and is the result of the independent labour of the scholar credited with authorship. Unless otherwise noted, the material contained in this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (CC BY-NC-ND) International License.
Date of acceptance: 14 January 2023.

Referring to this Article

A. CHAPMAN WOLF. Review of Geoffrey Bond and Christine Kenyon Jones, Dangerous to Show: Byron and His Portraits (2020), Romantic Textualities: Literature and Print Culture, 1780–1840, 25 (Summer 2024), pp. 120–26.

Online: Internet (date accessed): https://www.romtext.org.uk/reviews/rt25_r02/
PDF DOI:10.5281/zenodo.20066699

Review of Geoffrey Bond and Christine Kenyon Jones, Dangerous to Show: Byron and His Portraits (London: Unicorn Press, 2020), 160 pp. ISBN 978-1-9126-9071-8; £25.00 (hb)

10 May 2026

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