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Peter Garside


Report: British Fiction, 1800–1829: A Database of Production and Reception, Phase II Report: Walter Scott, Tales of my Landlord (1816): A Publishing Record

The Publishing Context ‘I have thus my dear friend brought to bear what I conceive is a very important business for both of us. If these people had sooner seen their true interest we should … Continue reading

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Report: The English Novel, 1800–1829: Update 3 (June 2002–May 2003)

This project report relates to The English Novel, 1770-1829: A Bibliographical Survey of Prose Fiction published in the British Isles, general editors Peter Garside, James Raven, and Rainer Schöwerling, 2 vols (Oxford: OUP, 2000). In … Continue reading

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Report: The English Novel, 1800–1829: Update 4 (June 2003–August 2004)

This project report relates to The English Novel, 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles, general editors Peter Garside, James Raven, and Rainer Schöwerling, 2 vols. (Oxford: OUP, 2000). In … Continue reading

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Report: The English Novel, 1800–1829: Update 5 (August 2004–August 2005)

This project report relates to The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction published in the British Isles, general editors Peter Garside, James Raven, and Rainer Schöwerling, 2 vols. (Oxford: OUP, 2000). In … Continue reading

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Article: James Hogg’s Tales and Sketches and the Glasgow Number Trade

In the years immediately following Hogg’s death late in 1835, the Glasgow firm of Blackie & Son brought out two collected sets of his writing, Tales and Sketches by the Ettrick Shepherd, in six volumes, … Continue reading

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Article: Producing Fiction in Britain, 1800–1829

According to Lee Erickson, in a recent essay, Walter Scott’s refusal of the poet laureateship in 1813 and the publication of his first novel, Waverley, a year later were sure signs of ‘a coming shift … Continue reading

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Report: Subscribing Fiction in Britain, 1780–1829

I In a letter to the poetess Anna Seward on 30 November 1802, Walter Scott surveyed the various methods of publication open to a budding author, including one that was definitely not suited to himself: … Continue reading

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Review: Franz Potter, The History of Gothic Publishing, 1800–1835 (rev.)

This wide-sweeping study succeeds in broadening our perception of the Gothic as a literary movement in the early nineteenth century, even at a time when it might seem that claims for the mode’s predominance have … Continue reading

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Review: Gavin Edwards, Narrative Order, 1789–1819 (rev.)

This informative and often densely argued work brings together three main components in exploring a range of texts spanning Samuel Johnson’s Life of Savage (1744) to Walter Scott’s The Bride of Lammermoor (1819), with a … Continue reading

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Report: The English Novel, 1800–1829 &1830–1836: Update 6 (August 2005–August 2009)

This report, like its predecessors, relates primarily to the second volume of The English Novel, 1770–1829: A Bibliographical Survey of Prose Fiction published in the British Isles (Oxford: OUP, 2000), co-edited by Peter Garside and … Continue reading

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